by international performers and teachers, Liza Wedgwood, dancer, and Tim Garside, musician and percussionist.  

Sunday October 25th at 6pm The Gold Room, Centre for Science and Art, 13 Lansdown, STROUD, Glos. GL5 1BB

flying baladi 5

Tanzwoche-Mittersill_2This is for the curious, for the adventurous, for dance lovers, and musicians of Middle Eastern music. Driving rhythms, yearning melodies, the refinement of courtly classical as well as the earthy complexity of the Egyptian ‘Blues’, it is all in this unusual performance showing the rich but rarely seen diversity of Raqs Sharqi.  

In the improvisational magical moment does the musician inspire the dancer or is it the other way around?

Tickets £7, Cons. £5 from Trading Post, 26 Kendrick Street, Stroud, GL5 1AQ Tel 01453 759116

or from Liza (click contact)


Be danced by the inspiring music and percussion of Tim Garside. A rare and wonderful treat.  

All levels are welcome.

Saturday 24 October 2015  1.00 – 6.00pm

 IMG_2084TimRiqGreen veil218_3


The Courtyard Clinic Studio 

(Beautiful warm studio with mirror!)

The Old Post Office, Parsonage Street, 

Dursley, Glos. GL11 4DR 

(The studio is at the back of the small car park

opposite the Cafe and next to the church. ) 

Cost:   £45  (Conc £40)


Italian workshop Feb 2015


LW dances Baladi

The Inner Dance of Raqs Sharqi – A Fresh Look at Baladi

This year many of the courses and workshops in Gloucestershire UK, Germany and Italy will focus on having a fresh and in depth look at Baladi.  

We need poise, ease and clarity of technique in order to facilitate the full emotional spectrum which characterises Baladi, that dance which flourished in the small, crowded, smokey cafes of the Egyptian conurbations during the first half of the twentieth century.

We will explore this beautiful dance from an ‘Inner’ perspective. The movements of Raqs Sharqi, to have that quality of ease, need to come from our inner physical core, our inner middle upper spine, and not merely from arms, hips and shoulders. More importantly, I call it ‘Inner’ because instead of overemphasising  technique (which leaves the audience distanced and vaguely unsatisfied) we dance the wholeness of who we are. We offer our authentic sensuality, in the real meaning of the word.  This means to be present in the feeling of the movements and not just to do them.

If we as dancers do the movements we show our expertise.  If however, in a very simple way, we  stay with the physical feeling of those movements, we access a well of empty, peaceful, happiness.  This is the source of creativity, and combined with our love of its music, it is this creativity that improvisational Baladi asks of us.  It is a surprise, an adventure, –  suitable for all dancers whatever their experience!

Egyptian Dancing with the Stick Workshop

Saturday 6th December 2014 1.00 – 6.00pm

The Courtyard Clinic Studio (Beautiful warm studio with mirror!)
The Old Post Office, Parsonage Street,
Dursley, Glocestershire. GL11 4DR
(Opposite The Courtyard Cafe and next to the church. The studio is at the back of the small car park)

The workshop is general level. The work on grounding and poise makes this workshop very suitable for beginners. The more experienced will expand their repertoire, find inspiration and deepen their understanding.

Cost: £35 (newcomers 3 hours with break £17)
Please book as soon as you can. 

Erna Froehlich and I returned inspired from our October Dance Week in the Austrian Alps near Mittersill. We had celebrated 20 years of our residential dance intensive in the same cosy farm house with its beautiful dance room looking out towards the glittering white mountain peaks.

Our focus for the week was ‘Stick Dancing’. Erna and I purposefully left this term unqualified to allow for freedom and discovery, not only for students but for Erna and myself.
The fruits of those days were unexpected and inspirational, and they are what I would like to share with you at the workshop.

At first I was disheartened because we did not have enough natural wooden walking sticks for such a large group. The only solution was to use the hooked golden ‘cabaret’ canes which I have never really liked. It was those golden canes however which instigated our journey of discovery and became our inspiration.

I have not yet managed to get a supply of these golden canes, and therefore for this workshop please bring one if you own or can get hold of one. Don’t worry if you don’t or can’t. I will bring plenty of ordinary canes for us to dance with.

I love this picture of a dancer which Edith Mahlknecht, 80 year old student from South Tyrol, sketched on a postcard for my birthday.Inner Dance Stroud Nov '14


Dance for pregnancy and new mums in Stroud  2014